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(Calder 1966, 37–38; Hayes 1977, 52–53; CF, Calder 1955–56, 14) August: The Calders move back to New York City on Claremont Place.
Directed by Robert Gardner; cinematography by Michael Butler, Robert Gardner, Len Gittleman, William Smock, John Spock, and Henry Stone; music by Jay Jaroslav; sound by Stuart Cody and Barry Ferguson. Calder stays with the architect Walter Bliss and his wife to graduate from Lowell High School.
In 1942, when I wrote the Philadelphia City Hall for a birth certificate, I sent them a dollar and they told me I was born on the twenty-second of July, 1898.
But my grandfather Milne’s birthday was on August 23, so there might have been a little confusion.
Directed by Hans Richter; cinematography by Arnold Eagle; narrated by Edgar Lang; music by John Gruen, Robert Abramson, Hans Richter, Douglas Townsend; lyrics by John Latouche; sound direction by H. (Calder 1966, 51) 9 June: Serving on the It was early one morning on a calm sea, off Guatemala, when over my couch—a coil of rope—I saw the beginning of a fiery red sunrise on one side and the moon looking like a silver coin on the other.
(Calder 1966, 49–50) Spring: Calder attends night classes in drawing with Clinton Balmer at the New York Public School on Forty-second Street.
(Hayes 1977, 42) The Calders move to Spuyten Duyvil, New York. (Calder 1966, 34–35) 14 August: Stirling is appointed as the acting chief of the department of sculpture of the Panama-Pacific International Exposition in San Francisco. (Calder 1966, 36) June: The Calders move to San Francisco.
Texts by James Johnson Sweeney, Michel Butor, Jean Davidson, Giovanni Carandente, Pol Bury, Gabrielle Buffet-Picabia, and Francis Miroglio; reprinted texts by Jean-Paul Sartre and Fernand Léger. The challenge is to move the animals from their pens without having two animals in the same pen at once. Stirling rents a studio in New York City on 51 West Tenth Street.
Alice Prin, the Best Known Artist's Model in Europe." 23 Gravures de Arp, Calder, Chirico, Erni, Ernst, Fernandez, Giacometti, Ghika, Gonzalez, Hélion, Kandinsky, Léger, Lipchitz, Magnelli, Miró, Nicholson, Ozenfant, Picasso, Seligmann, Taeuber-Arp, Torres-Garcia, Vulliamy, Zadkine (1944). The company adopts his suggestion and sends him a note of thanks along with a case of Corn Flakes. 16mm, color, sound (English); two versions: 28 min. Directed by Carlos Vilardebo in collaboration with André Bac, Marcel Beau, Jacques Decerf and Anne-Marie Cotret; narrated by Alexander Calder; music provided by Louisa Calder from various recordings. Produced, directed and written by Jean-Marie Drot; narrated by Jean-Marie Drot and Ed Wegman (NET). (Calder 1966, 48) 17 June: Calder graduates from Stevens with a degree in mechanical engineering. Radiodiffusion Télévision Française-National Éducational Télévision, Paris. (Calder 1966, 46) Fall: Calder joins the Student Army Training Corps, Naval Section, at Stevens, where he is made guide of the battalion. (CF, Calder 1955–56, 39; Calder 1966, 57–58) Spring: With the help of Stirling's introduction, Calder seeks employment with an engineer in Canada. Barr, Jr., Nancy Newhall, George Amberg, Iris Barry, Elizabeth Mock, Serge Chermayeff, Rene D'Harnoncourt, Monroe Wheeler, Elodie Courter, and Victor D'Amico. Sponsored by Peggy Guggenheim's Art of This Century, New York. Calder finds a job as a timekeeper for a logging camp in Independence, Washington. (Calder 1966, 55–56) Summer: Inspired by the logging camp landscape, Calder writes home and asks his mother for paints and brushes.
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Produced and directed by Hans Richter, assisted by Miriam Reaburn; cinematography by Arnold Eagle; music by Louis Applebaum. Sponsored by New World Films and Motion Picture Stages. (Calder 1966, 53–55; CF, Patterson to ASCR, 26 April 2010) Mid-June: Arriving in San Francisco, Calder takes a lumber schooner to Willapa Harbor, Washington, where he catches the bus for Aberdeen and meets his sister Peggy and her husband, Kenneth Hayes.